|
This refers to the height at which the guitar strings are set
above the fretboard. A lower playing action offers the advantage of
making the guitar easier to play because less pressure is required
to fret the strings. However, lower action also creates less
pressure on the bridge saddles which causes less acoustical energy
to be transferred to the body/soundboard. This may result in a
slightly thinner tone with inhibited sustain, an effect which is
most noticeable on acoustic guitars. Another potential side effect
of low action is fret
buzz.
|
|
Very popular acoustic guitar bodyform characterized by wide
'hips' and a thick 'waist'. Dreadnought guitars have a balanced
tone with a slight emphasis on the highs and lows. They are often
chosen by chordal strummers for rhythm work (whereas melodic
fingerpickers frequently prefer guitars with more midrange
emphasis).
|
 |
|
A buzzing heard beneath a fretted note caused by the vibrating
string rattling against the fret above. May be indicative of a
poorly set up instrument or the side effect of a particularly low
action. Easily dealt with on
most electric guitars but if discovered on an acoustic may require
professional attention.
|
|
Refers to an electric guitar bridge which does NOT offer pitch
movement through the use of a mechanically floating design (see
floating tremolo). At its
simplest, a hardtail (or stoptail) bridge combines bridge saddle
and tailpiece in one -- This is referred to as a combination
stoptail bridge. More commonly, however a fixed-bridge design
takes the form of Gibson's tune-o-matic bridge plus
separate tailpiece design, or Fender's Telecaster bridge, both of which offer
individually adjustable saddles for intonation adjustment.
|
 |
|
A humbucker (or humbucking pickup) is a dual-coil pickup
originally designed to eliminate sonic interference from 60-cycle
mains hum. The tone of a humbucker differs from that of a single-coil pickup because it senses
a wider sample of string vibration, resulting in a thicker sound
with more midrange emphasis and greater output. This innovation was
deemed extremely popular amongst the emerging blues/rock groups of
the late '60s as the hotter output from these pickups allowed
amplifier distortion to be achieved more easily (at a time when the
only way of getting a distorted sound was to turn up LOUD.)
|
 |
|
Intonation refers to the 'in-tuneness' of a guitar along the
length of each string. In order that a guitar string plays
in tune all the way from the open position to the guitar's highest
fret, its length needs to be calibrated accurately. Most electric
guitars allow the string length and thus intonation to be altered
by means of moveable bridge saddles, whilst acoustic guitar design
prohibits this.
|
|
Solid-body electric named after the famous jazz guitarist and
recording entrepreneur Les Paul. A very popular guitar amongst rock
and blues players, famed for its warm tone, throaty midrange bark
and long sustain. This guitar is associated strongly with Jimmy
Page (Led Zeppelin) and Slash (Guns 'N Roses, Velvet Revolver).
|

|
|
Another famous solidbody from the Gibson stable, having a number
of high profile users such as Angus Young (AC/DC) and Pete
Townshend (The Who). It's shallower body offers a somewhat less
fullsome low end than the Les Paul but presents a snarling and
aggressive midrange.
|
 |
|
The original electric guitar pickup design has a single magnetic
coil, sensing just a small area of each string. The single-coil
sound is bright, twangy and pronounced in the upper frequencies.
This is the sound of the Fender Strat and Tele. True single-coil designs are prone
to picking up noise via mains hum (especially from fluorescent
lights and dimmer switches) and many guitarists prefer to
substitute their single-coils for noiseless designs (really
humbuckers in smaller
packaging) which aim to reproduce the single-coil sound but without
the hum.
|
 |
|
A guitar whose treble strings are made of nylon, with a wide and
flat fretboard. Designed for classical repertoire or Spanish
flamenco music.
|
 |
|
Leo Fender's most popular design electric solidbody,
recognizable by its ergonomic, contoured body shape, light weight
and single-coil pickups. The
'Strat' has a bright, snappy sound and has found popularity at one
time or another with every type of guitarist from surf and
rockabilly players to blues and country artists. Notable players
include Eric Clapton (Cream), Mark Knopfler (Dire Straits), Jeff
Beck (Yardbirds), Jimi Hendrix, and Hank Marvin (The Shadows).
|
 |
|
Fender's original electric guitar design. Not as futuristic
looking or as ergonomic as the later released Strat, this guitar has nevertheless
remained highly popular right up to the present day. Often seen as
a no-frills, 'working man's' instrument, this is the #1 choice for
country guitarists because of its characteristic twang.
|
 |
|
The bridge assembly designed by Fender and associated with Jimi
Hendrix and Hank Marvin which allows the strings to be raised
and/or lowered with a lever ('whammy bar') to create a vibrato
effect. Such bridges can be set up to drop the pitch of the strings
only (divebomb), or raise the pitch slightly as well (full
floating). Requires proper setting up to deliver good results
without going out of tune.
|
 |
|
A central rod of steel or composite material inserted inside a
guitar neck whose function is to put an adjustable forward bow in
the neck which ensures that the arc of the vibrating strings does
not collide with the fretboard.
|